In one of his first football games in The Blind Side (2009), Michael Oher, played by Quinton Aaron, carries a trash-talking opponent off the field and later explains to his coach that he was taking him to the bus – because “it was time for him to go home.” There are many such amusing moments, and Oher is a real player (recently drafted by the Ravens). But ultimately, and unfortunately, this movie is not about Oher. It is about Leigh Anne Tuohy. Or rather, it is about the person playing Tuohy, Sandra Bullock.
That’s not to say this isn’t a great film. Based on the book of the same name, The Blind Side is the high school story of Oher, a 300-pound black teenager successively abandoned by his mother, a string of foster homes, and most of the public school system. On the strength of his imposing physical stature and his impressive athletic abilities, a Christian private school coach convinces his administration to enroll “Big Mike.” The parents of two other students at the school, the Tuohys, then find him wandering along the side of the road one cold evening and take him in, giving him first a couch, and then a bed (his first ever, according to Oher), and finally enough private tutoring to get him into college with a full athletic scholarship.
Sounds great. It’s a very heartwarming version of the American dream, lived out by someone nobody thought could ever succeed. And yet I’m left a little puzzled by the message here. After all, what happens to all those kids left in the projects who couldn’t play football? No college for them. And why not? I enjoy a good football game as much as anyone, but why have sports become seen as the default way of getting an education?
High School Football, from Public School to Private Tutor
At the beginning of The Blind Side, Michael, otherwise homeless, is sleeping at a friend’s house. That friend’s dad, “Big Tony” (who affectionately refers to the even larger Michael as “Big Mike”), sees Oher as his own kid’s ticket into Wingate Christian School (in real life, Briarcrest Christian School). The coach, awed by the kid’s 300-pound body and skill on a basketball court, agrees to persuade the administration to let him in despite a GPA that “starts with a zero” – 0.6. The scene feels a little out of place – we never see poor Big Tony’s kid again, and Michael doesn’t seem at all interested in playing basketball afterward, either. But it gets the job done: he’s into the school, over the objections of some cynical and pessimistic teachers.
Oher is still homeless, of course, but to his great fortune, that doesn’t last long either. He befriends the son of Leigh Anne and Sean Tuohy (the latter is a former NBA player) and is eventually picked up by Leigh Anne and given a couch to sleep on after she realizes he has nowhere to go but the (heated) school gymnasium. With their help, he also finds a place on the school football team: left tackle – a position ideally suited, as Leigh Anne tells us in a voiceover at the beginning of the movie, to a player like Oher, who is extremely big, extremely fast, extremely protective of family and friends — but not at all aggressive, far too gentle for most of the rough-and-tumble of a game like football.
Oher’s position at left tackle was the main focus of the book on which this movie was based, Michael Lewis’s The Blind Side (a synopsis by Lewis can be found here, in the New York Times), the fleet-footed giants sought after for this position have vaulted to second-place in NFL salaries (after the quarterbacks themselves) as teams try desperately to prevent a repeat of Joe Theismann’s career-ending injury in 1985, suffered when opposing linebacker Lawrence Taylor rushed at him from the left (the “blind side” of a right-handed thrower looking down field) and, in sacking him, broke his leg in two places.
Leigh Anne Tuohy plays a larger-than-life role in these events, leading one to wonder whether the movie is intended to showcase Bullock portraying maternal instincts (will this get her an Oscar?) as much as Oher overcoming adversity. It is Tuohy who takes the initiative in getting him the studying help he needs to succeed. It is Tuohy who convinces the coach (repeatedly portrayed as hapless and clueless after his initial inspired decision to get Michael a place at Wingate) to help Michael see his role as protective rather than offensive. Once on the field, Michael himself seems clueless until Tuohy/Bullock shouts down a racist jerk in the stands, in the midst of the memorable play I mentioned at the beginning of this essay. The racist spectator is apparently the father of the racist player whom Oher unceremoniously removes from the field.
As it happens, there is a video of this event, which S.J. sends to college football scouts. They, in turn, are as nuts about Oher as the Wingate coach ever was. Athletic scholarships appear from across the country. Eventually, Oher decides to attend “Ole Miss,” the University of Mississippi, where both Tuohy parents – now Michael’s adoptive parents – once studied. There is a touching moment when he tells a suspicious NCAA investigator that he has not been manipulated into going to Ole Miss by the Tuohys: rather, he is simply going where his “family” (his new family, anyways) has always gone.
So Much for College
This rags-to-college story puts The Blind Side into a growing genre of high school sports films alongside such previous successes as Coach Carter (2006). It’s the high school coach’s response, I guess you could say, to the “inspiring teacher” class of films, likeDangerous Minds and Freedom Writers. Even though Oher’s own story is unique, the theme is common: poor, usually black teenagers with unrecognized talent come under the wing of a few successful, inspiring adults, and realize their dreams by going to college.
Fair enough, as far as it goes. But I’m left wondering something by The Blind Side. If that’s the inspiring story we’re meant to take away from it – a 300-pound monster of a football player gets out of the projects by taking advantage of his body to get into college – then what happens to the kids in the projects who aren’t built like a house? How do they get into college? Since when did postsecondary education become such a bizarrely twisted luxury that your best bet to get in, if you weren’t born with money in both fists, was to play your way through with some sort of innate athletic talent? Oher has many siblings – in one warm moment he is briefly reunited with a long-lost brother – and they don’t get into college. At no time do the Tuohys, who seem to be rich beyond imagination, appear to ponder whether they could actually pay college tuition for a deserving kid with no athletic ability.
The Blind Side was a great movie, and both Quinton and Bullock play their roles admirably. If you want an uplifting story for the holidays, this is definitely it. Just don’t look too carefully at the social implications of what education has apparently become.
Sources
Lewis, Michael. “The Ballad of Big Mike.” New York Times (September 24, 2006).
__________. The Blind Side: Evolution of a Game. Norton, 2006.